Quick and easy D&D adventures

Whether you’ve convinced a group of people to play Dungeons & Dragons for the first time, or a group of grognards gathers at the table for a new campaign with fresh characters, there’s one thing all D&D players need – an adventure.

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The Player’s Handbook does a good job of explaining the dynamic of a D&D game, with DMs presenting the world and various scenarios to players, who then choose what their characters do in that world. The dice and the DM are there to arbitrate those choices and determine the characters’ successes and failures.

At its most basic, an adventure is a story seed that gives players a point of entry into the game world. Many adventures strung together over time evolve into a campaign, which is essentially the story that the players and their characters create together.

For an experienced DM, it can sometimes seem more challenging to create adventures than it is for a novice. Brand new players tend to approach D&D in a more lighthearted way, taking to heart its nature first and foremost as a game. Whereas longtime players might consider things like the tone of the longer campaign, the themes woven into intricate plots and how their character’s place in the world may evolve, there’s something to be said for keeping it simple. People new to the hobby generally view D&D as a game where characters fight monsters and win treasure.

Most DMs and players at some point begin to look beyond the current adventure and consider lengthier and loftier goals for their players. It’s inevitably that some sort of story will emerge, if only through the antics of the players. Nevertheless, in order to reach those heights a series of adventures is still in order.

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Making memorable adventures can be tricky business, but it doesn’t have to be. Chapter 3 of the Dungeon Master’s Guide does a terrific job of walking DMs through the steps of creating great adventures, including structure, villains, encounters and complications. Depending on how much time and effort a DM wishes to invest, adventures can be designed to be mathematically sound in terms of balancing the three pillars of play (combat, exploration and social encounters), monster ratings vs. party power and complications like side quests and twists that make things less straightforward.

My DM style is very loosey-goosey, an approach that i apply to both small-scale adventures and campaigns as a whole. D&D is very fluid, and i omit a lot of details in adventures to account for what players do.

To start an adventure, the first thing i do is choose a primary antagonist. There’s so many cool monsters in books like the Monster Manual, Volo’s Guide to Monsters, the Tome of Beasts and more that spark the imagination. When i set out to DM for my current group, we had no idea if we’d play more than one session – a pretty common pitfall i’ve encountered as i’ve gotten older and people have increased responsibilities like children, erratic work schedules and so forth.

The sahuagin caught my eye while flipping through the Monster Manual. They’re different from the usual goblins, orcs and bandits that tend to populate low-level adventures, and lent themselves to challenging environments that i thought would make fun challenges for the players.

sahuagin

With interesting aquatic enemies in mind, i thought about what they might be up to. With the oft-recommended idea of starting small in new campaign in mind, a sahuagin plot to take control of an island village formulated. Starting the adventurers off on an small island was a practical way to keep the characters in a contained setting. Like many DMs before me, i plundered the work of others and drew ideas from the classic module Against the Cult of the Reptile God, as well as my experience with the Dungeons & Dragons Online MMO. The sahuagin, under the direction of the naga Explictica Defilus, fostered a cult devoted to a dark deity and isolated the island from the rest of the world with a curse that plunged the tropical fishing village into an unnatural winter. There was opportunity to introduce underwater adventuring as well – complete with sharks to fight!

Armed with a plot by a naga, with sahuagin and human cultist minions, to dominate a remote island, the next step was to give the players a few quests to do. To avoid railroading and to reinforce player agency, i came up with a three shorter quest locations they could tackle in the village, with two longer dungeons in the island’s interior. The plan was that the players could follow branching paths within the village that would prove their mettle, and afterwards the loyal guard captain would allow them out into the wilderness (it was gated to keep the village safe from dangers). Of course, the players almost immediately went off in a different direction than i anticipated, something DMs should always keep in mind – no matter what you think the players will do, they’ll do something different.

But for the matter at hand, i designed the in-village adventures to be relatively short and include elements of combat, exploration and social interaction in varying degrees.

One quest involved investigating the town’s temple. The goodly clerics had been converted to cultists and shut the villagers out, severely dampening their spirit. The map for the temple was relatively simple: a 20′ wide hallway that formed a big square. At three of the corners, doors led to side chambers were sahuagin necromancers were animating zombies of deceased prominent villagers to further demoralize them. The fourth corner had a secret door, beyond which the temple’s wealth was kept in a chest made safe by a trap that sprayed acid at anyone who opened it. In the center of the temple was a small vestibule where they party could take a short rest. Across from there, in the main chamber, a sahuagin priestess was conducting a complex ritual with several cultists, sahuagin and zombies, the chamber protected by a magical barrier puzzle. This quest was mainly combat-oriented, with a bit of exploration. Party ingenuity turned one of the combat encounters into a social encounter as well, which was a nice development.

For another quest the party learned that the village mage had traveled to the island wilderness some time ago to find a way to stop the cult activity. So naturally, the party broke into his house to find clues. Because this quest relied mostly on puzzles and skill challenges, i opted to describe the party’s surroundings instead of mapping out their explorations. The goal here was for the party to discover the mage’s notes and a map leading them to some ruins out on the island. In addition, they uncovered a hidden alchemy lab and an even more hidden puzzle that guarded a magical crystal. Unfortunately for the party, a group of sahuagin had been secretly watching them and, unable to bypass the puzzle themselves, attacked as soon as the puzzle was overcome. This quest was focused on exploration, with a combat encounter thrown in for liven things up.

Finally, there was a social encounter for the party with a crazy old retired adventurer. Admittedly, social encounters are not my strong suit as a DM. i often have a hard time coming up with NPC responses to player questions, which is something i need to work on. Exploring this topic is worthy of a future post all it’s own, but for the time being my best advice is make sure you know what an NPC’s motivations are at the very least. On a related note, this is one of my criticisms of many published adventures, that don’t effectively explain why NPCs do what they do. This quest was totally social. There was a possibility of combat, dependent on some behind-the-screen criteria like the time of day they visited and what they’d already done. Since it was the first branch the party followed, they hadn’t aroused the interest of the cult yet so they weren’t being watched or followed.

Designing adventures for your group is not terribly difficult. Many people cleave to the notion that DMing is an incredible amount of often thankless and complicated work. To that i say, rubbish! Like anything else, the more a person DMs, the better they’ll get at it but even novices can put together adventures pretty easily by keeping just a few points in mind, including the notion that it is the players who will develop the story.

And always remember – the players don’t know what you have planned and prepared, so if your adventure needs the characters to go to Point A to proceed, and they go to Point B instead, then just make Point B into Point A – they’ll never know!

TL;DR

Need to come up with an adventure for you D&D group? Here’s a few points to keep in mind that will help you come up with quests quickly and simply.

  • Pick a monster you think is cool
  • Consider what the monster might be up to
    • What’s their goal?
    • What is directing the monster’s actions?
    • What sort of environment does the monster live in?
  • Pick a handful of allies for the monster
    • Do they have a more powerful boss?
    • Do they have bestial minions?
    • Do they have any allies to help accomplish their goals?
  • Develop three short quests based on the pillars of play
    • One focused primarily on combat
    • One focused primarily on exploration
    • One focused primarily on social interaction
      • Sprinkle elements of the other two pillars in each quest
  • Keep the monster’s goals in mind, but let the players guide the story
    • After a session, think about how the players’ actions affected the monsters goals
    • Give the players options, even if limited
      • Avoid railroading
      • Point B can become Point A – players will never know!

Playing D&D with class: Bard

Coming up with a great backstory, personality, motivations and goals goes a long way toward making memorable D&D characters. But when it comes down to the nuts and bolts of what you can do, it’s all about class. Consider it your character’s vocation, calling, profession or craft, a character’s class picks up where their backstory leaves off, giving them the skills and abilities they’ll use on their life of adventure.

Rather than analyze the mechanics of each class, extolling the benefits of one option and admonishing the suboptimal drawbacks of another, what you’ll find in this “Playing D&D with class” is the usual musings that accompany any topic and hopefully some insight into different ways to approach the various classes in D&D 5E.

As a longtime player and DM, i’ve never put much emphasis on mathematical optimization, and when it comes to making characters i’m a purist – multi-class characters have never appealed to me. Instead, it’s always been about the concept, the who of a character more than the what.

We are the music makers

The dreamers of dreams. A jack of all trades, but master of none (and oftentimes better than master of one). Minstrels, poets, virtuosos, storytellers and loremasters.

wonka-bard

The D&D bard is all of these things and more, tracing their origins way back to a 1976 edition of The Strategic Review.

In 1st edition AD&D, bards were sequestered away in the back of the Player’s Handbook. There, the bard was a hybrid multi-class/prestige class of sorts. A character had to gain levels as a fighter, then thief, and then a druid – but at that point the character is a bard under druidic tutelage. As a bard they gained bonuses to charm things, legendary lore knowledge, defenses against musical magical effects and abilities to inspire their comrades.

Refined in 2nd edition AD&D, the bard was a subclass of rogue, retaining the same inspirational, influential and musical abilities with the addition of some thief skills and wizard spells.

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The bard didn’t change much since then, settling into its position as a multi-faceted class mixing skills, magic and fighting with unique performance-based powers. Often regarded as the ultimate fifth member of a classic party of fighter, wizard, cleric and thief, the bard can fill in or support any of those four roles, as well as bring a few of its own tricks to the party.

Better with age

Bards have been a favorite class of mine and a frequent go-to since 3rd edition. Prior to then i never much enjoyed magic and almost always played thieves or rangers. In 1st edition i wouldn’t have strayed from fighter and thief to pick up druid and a chance at a few specialty abilities, and since my days playing 2nd edition i’m almost always the DM.

But then came 3rd edition, and a rather large gaming group i joined with about ten players – the perfect situation to add a bard. These folks were all pretty power-gamey min-maxers so the idea of a character whose strength lay in helping others achieve success was anathema to them. They were more than happy to take their inspiration bonuses, and for my part i considered a significant (maybe even majority) amount of the damage being dealt out stemming from my otherwise weak and clumsy bard.

Because the group was so large, i was free to focus all the character’s advancement on his performance skill and utility spells. He didn’t even carry any weapons because a) he couldn’t carry very much at all thanks to Strength as a dump stat and b) he was terrible in combat. It was probably the most fun character i ever played. IIRC the campaign ended with a battle against a lich. The bard was the last man standing, and with his dirge singer prestige class was able to defeat the powerful undead with a haunting violin song.

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5E bards are the pinnacle of a class that’s only gotten better with each edition. To be fair, all the classes in 5E are presented well. With their signature inspire ability functioning as a bonus action, bards of today can boost their allies AND do their own thing, giving players a lot more opportunity to feel bard-like without being just a mobile stereo system. Countercharming magic, bonuses to all skills and expertise in couple of them are built into the core chassis.

The pen or the sword

When it comes time to choose a bard’s archetype at 3rd level, the choices in the PHB offer one path focusing more on combat and the other further diversifying the bard with more interactions with skill bonuses and magical knowledge, plus the power to inspire yourself and a reaction to unspire (negatively inspire) other creatures when they attack an ally.

Represented by Colleges that the bard presumably studied at, the colleges of lore and valor stay true to the bard’s origins as a daring loremaster, while offering distinct methods to go about that task.

Unearthed Arcana adds two additional colleges: glamour and whispers. The former increases the bard’s performances to greater heights with illusory and captivating effects, while the latter offers a dark twist to the bard’s repertoire that makes them deceptive assassins who capture and use the shadows of others to mask their activities.

Looking for inspiration

Although it’s difficult to separate the idea a bard’s performance being musical, that’s one place to start thinking about a bard character.

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Comedic bard

A bard’s specialty could be stand-up comedy, oration or rhetoric. Their performance might be juggling or whip mastery. A more martial-minded bard’s kata, shadowboxing or acrobatics routine perhaps inspires allies and intimidates enemies. An amazing performance and display of skill is moving regardless of the medium. Ballet, performance art, visual effects shows – these and more all have the potential to enthrall audiences and evoke emotional responses.

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Dancing bards

Keep in mind, too, that D&D takes place in a world where magic is real. Not only does a bard hone their skill with diligence, their mastery imbues their actions with mystical qualities the same as wizards tap into arcane forces or even a highly skilled warrior can make multiple devastating attacks with unnatural celerity.

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Object-manipulating bard

Classically, characters like the Pied Piper, minstrels, Norse skalds and the Kingkiller Chronicle’s Kvothe are excellent examples of audio-inclined loremaster types. Likewise, any musician can provide some inspirado for a bard’s adventures. Freddie Mercury, a high-level bard, sold out stadiums and inspired millions. Tenacious D literally went on an adventure to acquire an artifact and wound up battling the devil in a musical rock-off.

Without getting into a rules and mechanics discussion, the Performance skill in 5E is used for any sort of entertainment. This can certainly include such things as acrobatic demonstrations and magical light shows, for a different take on bardic (or any) performance. The skill check is determining how entertained audiences are, not necessarily how technically sound the performance is. A low-Dexterity character can absolutely attempt to entertain a crowd with juggling or tumbling, and if it were an Acrobatics check they’d more than likely fail miserably. Who’s to say their routine isn’t a comic spectacle that ensnares onlookers through sheer peculiarity?

It’s not hard to imagine Willy Wonka as a bard. He’s charismatic, sings, does a bit of tumbling, creates magical concoctions and has gathered strange lore from all over the world.

The public persona a bard affects might be a mask they wear while pursuing another agenda, too. Good bards are welcome most places, and a traveling entertainer is a perfect cover for a spy or other sort of clandestine operator to go about without arousing suspicion.

A bard at the core is an adventuresome sort with a smattering of skills, abilities and traits from several disciplines. Look at your bard’s ability scores, background and skills and imagine what performances they might enrapture audiences with. You can get a lot of roleplaying mileage out of what your bard’s talent expertise stems from.

Roles not rolls

As with any class in D&D, the best advice i can offer is to set mechanical concerns aside and instead focus on creating memorable characters. Unusual race, class and background combinations are just as viable as character built to take advantage of every stat and ability. What you’re giving up from category A only means you’ll be stronger at something in category B or C.

D&D gives players a chance to create the kind of game they want to play, using as many or as few of the rules as those gathered at the table wish. At the core, it is a group-centered game and your characters come to life as individuals working with others to achieve their goals, so what works in one group might not be optimal in another, and that’s something number crunchers might overlook.

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Epic-level bard

More than anything else, bards rely on high Charisma for their primary abilities. Inspiration and spellcasting are both dependent on a bard’s force of personality that Charisma represents and even if all the other stats are low, a bard can still do pretty well with a high Charisma. Vicious Mockery as a cantrip never gets old; despite low damage, which is of the psychic variety and does scale with level, it doles out the ever-important disadvantage for the target’s next attack. The Performance skill is Charisma-based, as is the pool of Bardic Inspiriation dice.

If you imagine your bard as a daring warrior in addition to their charismatic persona, by all means the bard can hang in there with other warriors, or likewise providing cover fire from range. A bard more interested in lore and NOT getting into life-and-death battles can tap into more magical secrets or rely on skills more as an adventurer.

The bard is a great class that leverages complete mastery of a single pursuit for decent aptitude in several. With so many options, a bard can evolve in many different ways and come up with solutions to problems that surprise the bard player themselves as much as their companions and fellow players.

The next time you’re creating a character for your game, consider giving the bard a chance to perform. At their core, bards are charming, personable, confident, entertaining and inspiring. Their big personalities are as diverse as the focus of their skills and abilities. No matter what methods the bard employs, bards are going to be influential performers whose allies count themselves lucky to have them along.

Think about what role your bard will play in their group. Will they shy away from bloodshed, preferring to aid more aggressive companions to overcome perilous monsters? Will they use their talents to cover the party’s activities from enemy eyes? Perhaps your bard has little taste for dangerous journeys and adventures, instead building a career and reputation as a performer who has fell in with more adventuresome folk as protection from the threats the world poses.

Letting D&D players tell the story

i spend a great deal of time on my D&D hobby, that includes reading through various rules and source books, organizing campaign notes, updating a narrative account of my players’ adventures and maintaining our group’s Facebook page.

Outside of that, i watch a helluva lot of YouTubers and listen to podcasts related to D&D both for enjoyment and to glean whatever tidbits of tips, tricks and advice a DM might find useful.

The scope of variety in the kinds of games people play is endlessly fascinating. Whether a group plays together on a virtual tabletop like Fantasy Grounds; gathers at a customized gaming table with built-in computer screens; deploys intricate maps and minis; or shares a single PHB, set of dice and runs the entire game in their imaginations, the goals and results all share the commonality of enjoyment by weaving a fantastic tale together.

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As a DM, it’s very easy to get carried away with story ideas between sessions, regardless of your group’s playstyle or the sorts of adventures you’re running. Part of the fun for DMs is expanding your ideas outward. Just remember to give those ideas time and space to contract, too.

With published campaigns, for example “Tyranny of Dragons,” “Curse of Strahd” or “Out of the Abyss,” it’s exciting to think ahead to when your players will confront Tiamat, Strahd or Demogorgon.

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In a similar way, a classic dungeon-delving group hopefully survives long enough to leave Keep on the Borderlands and Hidden Shrine of Tamoachan behind and tackle the Temple of the Frog or Descent into the Depths of the Earth.

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And then there’s homebrew adventures, with the additional level of anticipation for the players to uncover the themes, plots and stories DMs devise (or “borrow” from our favorite media).

The important thing for any DM to keep in mind though is that the story that emerges from your group is never yours alone. In fact, it is entirely the story of the players. In many ways, the DM is essentially opening a toychest and letting the players decide which ones look fun. What’s inside the toychest is up to the DM, and includes lots of dangerous things that players might get a peek of and want to try out.

A DM can certainly let players pull out the hazardous stuff as they wish, but as the referee and guide to the action, an important function is conveying safety warnings ahead of time. For example, a setting like the popular Underdark is alluring to many players, and DMs alike look forward to confronting their players with mind flayers, aboleth and other nasty denizens of the dark. The Underdark may in fact play a huge role in the campaign, whether something like Night Below or a powerful threat of the DM’s design.

If a group of low-level PCs is hellbent on exploring the Underdark, its the DMs duty to relay a sense of foreboding about the place. Accomplished adventurers or survivors of drow slavepits could offer dire warnings for instance. But if the players agree amongst themselves and insist on braving the dangers despite the DMs fair warning, it’s perfectly all right to let the group’s story play out in that direction. More than likely, an unprepared group of adventurers will meet an early end this way.

But that’s okay.

D&D is a storytelling game, and certainly, innumerable would-be heroes live short, unfulfilling lives. Their individual stories may not have become epic legends, and it can be upsetting when character die. But after about 30 minutes, players come up with exciting ideas for new characters, and the story continues. These new PCs might even be related somehow to their previous ones, and incorporate the story of their short-lived adventures into the new characters’ backgrounds.

All this is a wordy, roundabout way of saying it’s a good practice for DMs to get into letting go of your anticipations and allowing the players to steer the ship. Away from the gaming table is the time for a DM to let their imagination soar. Reflecting on what the players showed interest in and their adventuring style provides a context for developing what comes next.

This is why so many sources advise DMs to start small. There’s no telling what the PCs will do, and more often than not they’ll do things the DM never considered – no matter how many possibilities the DM plans for! This isn’t to say it’s fruitless to outline the big picture of your campaign. But keep aware that the path you envision to reach the end will without a doubt take many detours as the players follow their own interests along the path.

In my experience, the best approach to a campaign is to keep distill your big ideas into a few major plot points. On the road to reaching them, the players will do their part to fill in the details. That way you’re preserving their agency in the game by maintaining the sense that they’re in control of their destinies. Through their actions and words, players let DMs know what they find interesting and those engagement spark the DM’s imagination in a continuous cycle of feedback and implementation in the game.

For an example from the 5E Spelljammer-esque game i’m currently running, there is an overarching story taking place in the spheres that the PCs have been exposed to in small tidbits here and there. For various reasons, both through the characters’ and players’ perspectives, they’re not overly interesting in engaging with that story. Instead, they’re having a blast with the logistics of running a ship, maintaining a crew, making a living taking on various jobs and building their reputation. The major plot points continue to progress regardless if they are involved. Since they never set out to be heroes in the first place, it’s not hard to imagine they wouldn’t selflessly pursue a traditional heroic journey, and we’re all perfectly fine with that. Along the way, they’re moving in whatever directions appeal to them as a group. In turn, they’re challenging and fueling my imagination and together we’re developing our own story and fleshing out a lot more of the setting than i’d thought of on my own.

One of the best D&D YouTubers out there, Matt Colville touched on some of these concepts in his most recent video. The focus of his discussion is the idea of “Fantasy vs. Fiction” and he explores two approaches to D&D storytelling – the world as a manifestation of the characters’ internal story vs. the characters are the products of the world. Intriguing stuff to think about.

Of course, there are lots of things to keep in mind for your game like railroading vs. truly open-world adventuring, the value of improvisation vs. preplanning and keeping in mind the veil of separation between what the DM knows vs. what the players and their characters know. Those and many more are all topics worthy of being explored on their own here later on.

TL;DR

For D&D DMs (or any TTRPG GMs) it’s important to keep in mind that whatever story emerges at the table is a result of players’ choices and actions. DMs present scenarios, NPCs, locations and plot threads that can be woven into a much larger picture…but it’s up to the players to decide what their story will be. They may be adventuring in your world, but the tale they tell is theirs to shape.

There are lots of tips, tricks and tools DMs can use to point the needle in different directions. Just as vital, though, is allowing the players enough agency to be able to move the needle as well.

Start small, and keep your big picture in mind while PCs adventure in your game, but give them the freedom to take the story in their own direction. Don’t stick to a rigid structure of where you as the DM think the game ought to go. Instead, leave the trail of breadcrumbs but feel free to get lost right alongside the players. Remember – you can always alter where the breadcrumbs lead to anyway!

 

Playing D&D with class: Artificer

Coming up with a great backstory, personality, motivations and goals goes a long way toward making memorable D&D characters. But when it comes down to the nuts and bolts of what you can do, it’s all about class. Consider it your character’s vocation, calling, profession or craft, a character’s class picks up where their backstory leaves off, giving them the skills and abilities they’ll use on their life of adventure.

Rather than analyze the mechanics of each class, extolling the benefits of one option and admonishing the suboptimal drawbacks of another, what you’ll find in this “Playing D&D with class” is the usual musings that accompany any topic and hopefully some insight into different ways to approach the various classes in D&D 5E.

As a longtime player and DM, i’ve never put much emphasis on mathematical optimization, and when it comes to making characters i’m a purist – multi-class characters have never appealed to me. Instead, it’s always been about the concept, the who of a character more than the what.

Blinding them with [magical] science!

The weekly Unearthed Arcana articles have for a while now been focused on releasing new character options in the form of archetypes for D&D 5E’s core classes. But this past week they took divergence from that and instead introduced a very popular class from previous D&D editions to 5E: the artificer!

techsmith

Originally a core class in 3.5’s Eberron campaign setting, the artificer is a caster class that focuses their magical prowess into invention and creation of magic-infused objects. An inventor and crafter, artificers bring a unique skillset to the array of class options that explores an aspect of D&D – the making of magical items – in a practical way for players. In various editions, crafting options are available but they require heavy investment of time and resources, usually resulting in characters forgoing more adventuresome character options in lieu of gaining skills needed to make their own magical items.

The artificer puts those abilities to use in the field, creating ad hoc items on the fly or by infusing their spells into temporary items to be employed by other party members.

There’s certainly no small number of folks with a distaste for artificers. The concept might not have a place in their campaign, or it might come across as too crunchy. For the former, like all the classes there are common perceptions of what each class is like that tend to become fixed in players’ minds and perhaps looking at things in a different way can overcome that. As to the former, like many new and alternate classes artificers include new systems for utilizing their abilities. It can be challenging to imagine a place for a noncore class in a setting.

But on the other hand, don’t all the classes have their own unique properties? Rage, ki, sorcerer points, maneuvers – without these individual systems and the options they allow players, what are any of the classes but vanilla warriors and wizards? When it comes to your group’s setting, perhaps the party’s artificer is the only one of his kind. The PCs are after all, extraordinary heroes. It’s not hard to imagine such a character with a very unique set of powers. That has huge potential for storytelling right there.

Choose your specialty

Like the rest of 5E’s classes, the presentation of the artificer is nicely streamlined. At its base is a reasonably tough caster with a nice mix of proficiencies including thieves’ tools, skills and saving throws plus some super useful adventuring abilities to detect and identify magic. The way they implemented magical item crafting – allowing you to choose from a list of magic items that the character has created in the same way casters get new spells – as early as 2nd level!

Even without the archetype abilities, the 5E artificer is a great chassis who will gain useful spellcasting ability, a nice selection of magical items, a capable construct and the ability to attune to more than the standard three magical items.

The specialty archetypes offer two very popular concepts for D&D players: alchemist and gunsmith. Both have a fairly reliable and definitely flavorful option that takes the place of casters’ combat cantrips.

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Alchemists gain a magical satchel right off the bat, filled with all the compounds, reagents and substances needed to throw together fire or acid bombs, speed potions and even healing potions – each for the cost of an action (bonus action in the case of speed potions). In essence, these are akin to the alchemist’s cantrips, but i do like that they tempered the healing potion with the restriction that a character can only drink one per long rest. (The alchemist can create many of them but characters can’t just chug them ad infinitum.) The fire and acid bombs have a nice progression of damage based on level as well, making them a useful go-to attack throughout the character’s career.

Gunsmiths are centered around their “thunder cannon,” essentially a magical sniper rifle. Like the alchemist’s satchel, gunsmiths get a magical ammo bag for making rounds. Over time, the thunder cannon gains several interesting ways to control the battlefield, but overall its a one-trick pony. Gunsmiths have a magical gun and use it to lay down damage and employ tactics from afar.

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Much of the mystery or mechanical questions the artificer presents are handwaved away, which speaks to the design of 5E being a streamlined version of D&D. Concerns about lead shot, black powder and chemicals are answered through the magical bags similar to a wizard’s spellbook. Likewise, the Wonderous Invention ability that provides tiered magical items at various level breaks is assumed to take place during downtime, without a bunch of clunky mechanics.

Looking for inspiration

Any sort of inventor, tinkerer, engineer or mechanic can provide a good starting point for imagining your artificer, who take a more scientific approach to magic. Unlike wizards, whose understanding of arcane forces translates into complex gestures, incantations and rituals to manifest that power through themselves, the artificer’s approach instead binds those energies into objects.

forge

Forge, from the X-Men lore, is an interesting role model. In fact his background as a medicine man who broke from traditions by incorporating technology into his responsibilities would lend itself to something like the outlander background. Perhaps your artificer has some training and aptitude for wilderness survival and knowledge.

Edward Elric from “Full Metal Alchemist” could spark your imagination. Maybe as a character quirk, your artificer feels compelled to offer items of similar value in exchange for the magical objects they create and the spells they infuse.

edward-elric

Certainly, artificers lend themselves to being smart and resourceful. It’s difficult to get away from imagining artificers that don’t have some sort of studious background – their abilities rely on Intelligence and there’s no intuitive way around that.

On the other hand, an alchemist could be a rustic sort whose knowledge of the natural world gives them the know-how to put together various useful substances on the fly. This sort of character could just as easily be a tribal herbalist as they could a university chemist.

Likewise, the gunsmith could be a military weapons developer, or maybe a field tester charged with experimenting with new technology who over time learns to master it themselves. They could be a noble, with access to strange new technologies, or a folk hero using their village’s legendary weapon.

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Your primitive intellect wouldn’t understand alloys, or compositions, or things with molecular structure…

Either archetype could be a person who has unusual knowledge but is otherwise a simpleton. Think of a character like Ash from the “Evil Dead” films. He was smart enough to make gunpowder and a mechanical hand for himself, but beyond that wasn’t too bright and certainly not very wise.

In my spelljammer game, one of the characters is a human fighter with the guild artisan background who took up the gunslinger archetype that Matt Mercer shared at the DM’s Guild. With the release of UA’s artificer playtest material, i would absolutely allow him to rebuild his. Matt Mercer’s gunslinger is definitely well thought out with some really cool abilities, but it has a very narrow focus on gun combat. As an artificer, my player could have the same fun time sniping enemies from afar but with lots of other options – including magic with the added benefit of spelljamming capability.

Roles not rolls

As with any class in D&D, the best advice i can offer is to set mechanical concerns aside and instead focus on creating memorable characters. Unusual race, class and background combinations are just as viable as character built to take advantage of every stat and ability. What you’re giving up from category A only means you’ll be stronger at something in category B or C.

D&D gives players a chance to create the kind of game they want to play, using as many or as few of the rules as those gathered at the table wish. At the core, it is a group-centered game and your characters come to life as individuals working with others to achieve their goals, so what works in one group might not be optimal in another, and that’s something number crunchers might overlook.

For the artificer class, high Intelligence and Constitution lend themselves to making smart tactical decisions to help the party and survivability in the thick of things to be wherever you’re needed. Both archetypes lean towards remaining at range, but don’t rule out heading to the front line and spreading around the magical inventions to support allies.

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Your artificer might have no interest in fighting monsters at all, instead focusing their attention on supporting the rest of the party.  Besides, you’ve got a magical mechanical construct to do the fighting for you.

Outside of combat, artificers will prove their worth when confronted with any mechanical or crafted in nature. Beyond all the neat spell-infused items you can dole out to companions, at the end of the day the artificer is highly skilled with mundane crafting as well. There’s nothing stopping you from putting expertise with various tools to use making lots of useful stuff.

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The next time you’re creating a character keep the artificer in mind. At their core, artificers are resourceful and creative, with unique and clever solutions to lots of different situations. Both archetypes are focusing primarily on combat, with the core abilities providing the wealth of other options.

It’s worth noting that there is some roleplaying hooks built right into the artificer class as well, suggesting that the curiosity that drives artificers lends itself to the development of intense rivalries amongst their kind, as well as motivation to explore and perform valuable field research. The class description prompts players to consider whether the character has a rival, and how and why they learned the ways of artifice.

Consider what role your artificer will play to their party and the world they adventure in. Will they share their amazing discoveries or keep the secret workings for themselves? Does their mechanical construct grow to become a trusted friend and ally, or simply a shell of metal and magic to be used like any other tool?  Like any character, your artificer arrives with their own tale to spin, as well as one that has yet to be cobbled together.

Tremendous value of D&D Session Zero

Whether you’re gathering a group of players together for a new D&D game or you and your friends are in the midst of a long campaign, investing time in a Session Zero is a terrific practice that benefits DMs and players alike.

The idea behind a Session Zero is providing a platform for the DM to present the setting, introduce nuances and quirks of the world and explain their expectations of playstyle and how they imagine the game might run. For players, it is an opportunity to let the DM know how they envision their characters interacting with the world, and their goals, motivations and expectations both for themselves as players and for their characters.

Typically, a Session Zero unsurprisingly takes place before any actual gaming begins, but depending on the circumstances of your group can be an effective resource at any time. In later cases it’s more of a “state of the game” session, but the spirit is the same.

In the game i’m running, i have players from a variety of tabletop RPG experiences. Our first session included a mishmash of players. One has never played any TTRPG before but was interested to dive in and become a regular at the table. Another had played 1st edition AD&D many years ago in high school, and he brought along a friend visiting from Japan for just the one session, who also had no TTRPG experience. A friend of mine who i’ve been gaming with for over ten years was there as well.

As the DM, i was excited for the simple chance to play at all, and i wanted to get the group right into the action. To that end i pulled out a sort of tutorial adventure i’ve had for a while that thrusts the characters into a pivotal battle as conscripts in a conflict between three human kingdoms, beginning in medias res on the front lines.

Taking time for a Session Zero in our situation wasn’t in the cards, since everyone wanted to dive in and start playing. They received a short introduction to the world and their place in it, and they were off and running.

One of the greatest joys i get as a DM is running a game for new players and watching for that moment when recognition clicks that they can try to do anything they can imagine, and with two new players at the table i got that secret glee twice. Everyone had a blast that first session, so i considered my DMing a success.

With a rotating cast of characters in subsequent sessions, running through the tutorial adventure, i began to think of ways to do things a little differently. Once the idea for adding elements of the Spelljammer setting came to mind, my imagination took off for the stars. At the end of our third session and the climax of the tutorial quest – a quasi-adaptation of the classic Against the Cult of the Reptile God – the party discovered a strange vessel after defeating the deadly spirit naga Explictica Defilus. At that point the party were all 3rd level characters and they were shocked and delighted to find the universe literally open up to vast possibilities for adventure.

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Because of the dramatic change in the campaign and setting, we started our next get together with a Session Zero. All of the players were excited for the opportunity to slow things down and really start discovering who their characters are beyond the numbers on the character sheets. Until then, they’d been plowing ahead at a breakneck speed, approaching D&D more along the lines of a video game. They wanted to get through the quest, defeat the evil cult and free the tropical island of the curse of winter that had isolated it from the rest of the world.

Our Session Zero took place as the party, aboard Illrigger, their newfound spelljamming ship, was escorted to the Rock of Bral for debriefing. As such, members of the escort ship Resolute’s crew came aboard Illrigger to aid in piloting and share supplies for the long journey. i let the players direct the action, asking questions of Resolute’s crew and talking amongst themselves.

What i picked up from them is that they all seemed eager to approach their characters from a more realistic perspective. As one player pointed out, they had acquired a lot of treasure and were essentially very wealthy. The entire party could live a comfortable lifestyle for about a year. With their own ship, they surmised that they could take on various jobs of their choosing, instead of letting adventure come to them.

They discussed coming up with a business name and hiring themselves out, using examples of shows like “Firefly” and “Cowboy Bebop” as inspiration for how they envisioned their characters’ lives. Looking over the blueprint of Illrigger they began planning how they’d renovate the ship, hire a crew and so on.

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Several other things emerged from their conversations as well that helped their characters become more fully realized. One of the characters is a dragonborn warlock, Krex, with a Great Old One pact. We’d never explored what that meant beyond the game mechanics. Krex’s player described that an otherworldly draconic presence reached out to him, offering magical might. One of the major features of the setting is a draconic threat from the Void, so it was a perfect fit that Krex’s patron was a part of that arc.

Another character, played by the brand new player, was an eladrin swordsman with the sailor background. He’d come up with a basic backstory previously, but was excited to explore how his background interacted with their situation running a ship now. He became quite interested in establishing a crew and making sure the ship ran efficiently.

The other core player, playing an elven monk with the hermit background, decided that his Discovery involved wildspace and the crystal spheres, paths that his mind wandered to during his hundreds of years in meditation.

As a DM, this was wonderful material that the player was adding to the campaign. The stuff that comes out of a Session Zero gives DMs a wealth of ideas to implement into adventures. They could be the basis of a grand adventure or a small detail the party comes across. Either way, the players will feel like they had a hand in the creation and that their characters have a unique place in the world.

The sailor swordsman player offhandedly asked if there were illicit substances like drugs out there in space, and found it hysterical that indeed i’d made some notes about that very topic. While making a stop to refresh their air and supplies, the party encountered a shady tiefling and one natural 20 Persuasion check later they had established a minor link to the illicit drug trade. The player seemed fascinated by this and took a few more opportunities to explore this aspect of the setting.

The most noteworthy moment of our Session Zero came while the party visited an underground club owned by a beholder. Chazzledazzel is also a popular crooner and the party was just in time to catch his show. Although i described the lounge and the performance area, when one of the players asked more about it, another player described how the room was deeply inclined with seating arranged in tiers down towards the circular pit in the center from which Chazzledazzel floated up to perform his show. The noteworthy part was that i hadn’t said anything about the seating arrangement, but the player let his own imagination add to the setting. It was a small moment, and i doubt anyone else thought much of it, but to me as the DM i felt like i’d achieved success by inspiring the player’s imagination. It was pretty cool.

A lot of our Session Zero played out that way. While it wasn’t a true Session Zero where the discussions take place outside of the game, the results came across the same way. We integrated the dramatic change in playstyle and setting, with the players presenting a lot of how they’d like their game to be through actual gameplay. Instead of instinctively looking to me to guide them on what to do next, they invoked their agency. It was a subtle shift from relying on the DM for prompting, to them telling me what they wanted to do.

It was less of me asking “what do you want to do?” and “can I try to intimidate the guard to open the gate?” and more of the players initiating the action by telling me “I want to persuade him to join our crew.”

After a while, when the thirst for adventure became too great, the players started their own investigations to find some action. There were a few hooks they discovered and ultimately decided to pursue a bit of clean up work for Chazzledazzel, who had a financial interest in some old docks that were disused and infested with vermin.

With his eyes towards renovating the area, and a natural 20 Persuasion check, the party struck a deal with the beholder for 3 percent of the profits over six months on whatever the old docks develop into in exchange for clearing the area up. They proceeded to do so in a somewhat unorthodox way (as players will always do).

For my part, i was thankful that i’d spent a lot of time developing vast amounts of random information to pull out as needed. These players want to know everything! As a DM, it is extremely satisfying to be able to provide as many good answers as possible. But that is a topic for another post.

TL;DR

Taking time from regular play to have a Session Zero is an invaluable resource for DMs and players. It gives the DM an opportunity to speak outside of the game to let the players know how they envision the game world and what sort of game they are offering. Players have the chance to let the DM know how they see their characters and what they expect to do in the game.

It’s not much fun to create a character who is an expert in Nature, for example, if the adventures never involve a need for that skill, or a character who is exceptional in social situations if the party never encounters other rational creatures.

Likewise, a DM can spend a great deal of time developing plots, arcs, timelines, NPCs, towns, cities and the like, but if all the players want to do is kick down dungeon doors and slay monsters, then that disconnect is going to make the game suffer for everyone.

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Session Zero works best at the start of a new game, when everyone is creating characters and the DM has prepared a starting point for the party. But a Session Zero can be implemented any time. Perhaps there is a dramatic shift in the campaign, or the players come or leave the group.

In my case it was a combination of all of those things as well as giving my players new to TTRPGs a chance to understand more what the game is like before exploring bigger concepts. They had a chance to do some adventuring and learn the ropes of the game itself for a few sessions, and develop ideas on how they wanted to play from there.

Call it Session Zero, a “state of the game” or simply table talk, spending time to let your players tell you what kind of game they’d like to play gives DMs invaluable information that helps them craft and guide experiences for everyone to have fun.

Playing D&D with class: Rogue

Coming up with a great backstory, personality, motivations and goals goes a long way toward making memorable D&D characters. But when it comes down to the nuts and bolts of what you can do, it’s all about class. Consider it your character’s vocation, calling, profession or craft, a character’s class picks up where their backstory leaves off, giving them the skills and abilities they’ll use on their life of adventure.

Rather than analyze the mechanics of each class, extolling the benefits of one option and admonishing the suboptimal drawbacks of another, what you’ll find in this “Playing D&D with class” is the usual musings that accompany any topic and hopefully some insight into different ways to approach the various classes in D&D 5E.

As a longtime player and DM, i’ve never put much emphasis on mathematical optimization, and when it comes to making characters i’m a purist – multi-class characters have never appealed to me. Instead, it’s always been about the concept, the who of a character more than the what.

The ultimate dungeon delver

As one of the core four classes in D&D, along with the fighter, cleric and wizard, the rogue as it’s called today fills the spot not covered by the other three. A scout, stealth master and surprise striker, a rogue is the character you want watching your back. With their focus on a variety of skills, the rogue is one of the most versatile classes in D&D and in 5E is certainly one of the most popular as well.

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The thief’s first appearance in D&D

Originally a fan creation, the thief as initially presented in 1975’s Greyhawk supplement quickly became a favorite class. The suite of special skills that a thief brought to the table – climbing walls, picking locks, disarming traps, hiding in the shadows, moving silently, picking pockets, listening (??) and striking unaware enemies for extra damage – were all activities that players found invaluable. In those earlier days of D&D, gameplay was centered around dungeon delving, with DMs creating dangerous labyrinths for players to defeat rather than elaborate sprawling sagas for characters to take part in.

To that end, i imagine there had to be a fair number of players who were put off by the thief. After all, why couldn’t their fighting-men and magic-users engage in those same activities? Wouldn’t it behoove any of them to be sneaky, ambush the bad guys and unlock those treasure chests? Codifying the rules for those and handing them off to the thief might have felt like to players like their non-thief characters had diminished abilities.

On the other hand, having a thief in your party meant the other classes could focus on what they did best, leaving the thief to become the master of his own responsibilities in the dungeon. The original thieves were very, very squishy, without the clutch evasion ability and other defenses they’re known for today.

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By the time AD&D came around, thieves were solidly in the mix with other classes, expanding their versatility by allowing characters of any race to pursue the class without a level limit. They also gained a subclass of their own, the thief-acrobat introduced in Dragon Magazine #69 and officially added in 1985’s Unearthed Arcana.

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The thief-acrobat began here. Since the advent of straight-up skills in D&D this class became superfluous

In 2nd edition AD&D, the thief became a subclass of a sort under the Rogue group, along with bards. Thematically, thieves retained their identity as robbers but added the notion of being treasure hunters and skill specialists, moving away from being considered straight-up criminals.

When 3rd edition rolled around, the “thief” was left behind for good, solidly becoming the rogue class. As such, they reflected their place in the D&D class pantheon as masters of skills. Gaining their signature evasion ability, rogues became an excellent “dip” class, with many character builds benefitting greatly by a two-level jaunt in the rogue class for a ton of skill points and that sweet, sweet evasion.

D&D 4E, with its focus on tactical grid-based combat, gave the rogue a ton of mobility to get around the battlefield and strike at key targets, along with defining some of their flavor options as swashbucklers and brutal thugs.

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Now, in 5E, the rogue is firmly cemented in D&D gameplay. Many people consider the 5E rogue one of the most balanced and well-designed classes in the edition, with a solid core of abilities and terrific archetypes to choose from like the classic thief, assassin and arcane trickster. Adding to those already excellent choices are two more from the Sword Coast Adventurer’s Guide: the mastermind and the swashbuckler.

Everyone loves a rogue

As a testament to 5E’s design, it’s pretty difficult to make a bad character of any class. Math and mechanics aside, i’m not just talking about optimization here – even characters without really high stats and with unusual combinations of backgrounds, races, classes and skills can still be effective and fun to play.

The rogue in particular benefits from 5E design because they have no resource management to worry about and all of their core abilities are passive bonuses. Even for the things that require a roll based on an ability score, because of 5E’s bounded accuracy (i.e. flat math) a lower ability score won’t have a too terribly adverse effect.

Interestingly, many of the rogue’s areas of expertise in previous editions are not their sole purview in 5E. Mobility, stealth – even picking locks – are no longer rogue-only activities. Anyone with a set of thieves’ tools can attempt to pick a lock. Proficiency with said tools makes the task easier, and rogues by default have proficiency. But! There are several other ways for nonrogues to become proficient with thieves tools.

Basically, what 5E rogues offer is skill in a broad array of areas, expertise in a narrow selection of skills and an overall canny character that can get around quickly and easily, with several unique defenses that make up for their squishiness compared to classes like fighters and other physical combatants.

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So why does everyone love a rogue? Rogues as a base represent a certain relatability for players, akin in many ways to fighters. They don’t rely on magic, supernatural connections, spiritual fortitude or otherworldly influence, nor do they have a limited pool of resources like spell slots, rage or ki.  Instead they rely on the same sort of training and discipline that a real-life person could achieve. Rogues are dashing adventurers who represent a gamut from the best to the worst that a person can achieve through cunning, guile and skill.

Any sort of character concept can be fulfilled by the rogue, because when it comes right down to it, the rogue is simply synonymous with skill experts. Taking backgrounds into account, a rogue could just as easily be an acolyte, folk hero, hermit or sage as a criminal, charlatan, entertainer or pirate.

A rogue can rely on strength or dexterity for fighting, and avoid direct combat altogether and instead bolster their allies – something the mastermind archetype in particular excels at. They can bend their will towards arcane magic, focus on thiefy skills or concentrate on deadly attacks.

Looking for inspiration

There are countless fictional characters that showcase the versatility of rogues to inspire your D&D characters. The Gray Mouser comes to mind immediately as an arcane trickster, as does Bilbo Baggins as a thief. Solid Snake is definitely a rogue assassin. Inara from Firefly is very mastermind-y.

One of my favorite characters that i’ve played was Zorax the neutral half-orc rogue assassin, very clearly a rip-off of Zarak the Evil Half-orc Assassin.

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Everyone in the party advised me away from the assassin archetype and often urged me to use a weapon other than a dagger (rapiers being the obvious suggestion). But i stuck to my guns…or knives in this case. With an urchin background and a story that involved being on the downlow after being set-up by his gang leader (or sort of evil Fagin who led a gang of adolescent thieves), Zarak evolved from a brutal, greedy thug to…a brutal, greedy thug with a conscience, loyalty to his adventuring company the Red Larch Irregulars, and his own version of a soft spot for unfortunate children.

Come to think of it, my very first D&D character ever was a thief named Zorax, too, way back in the mid-80s when i started playing D&D. That never occurred to me! That iteration of Zorax was an elf IIRC who spent his days adventuring with Mordecai the fighter. The pair of them made  a great team, with Mordecai tanking and Zorax flanking, while both of them shared the spotlight when it came to talking with NPCs, exploring dungeons and investigating plots, intrigues and situations they became involved with. i only have a few solid memories of the character. One is a dramatic showdown fight on some docks in the rain against a dark elf assassin. Another is he and Mordecai traveling to the Nine Hells, where all the devil lords were having a meeting and we fought all of them. Lastly, after the Immortals Rules were released, Zorax and Mordecai entered the realm of superheroism. The Nine Hells incident may have coincided with that; my memories are pretty fuzzy.

Back on track though, a starting point for imagining a rogue character is anyone who relies primarily on skills and savvy to succeed. Going from there, your rogue can work towards and evolve in so many different directions as to how you want to fight, explore and interact with your game world.

Roles not rolls

As with any class in D&D, the best advice i can offer is to set mechanical concerns aside and instead focus on creating memorable characters. Unusual race, class and background combinations are just as viable as character built to take advantage of every stat and ability. What you’re giving up from category A only means you’ll be stronger at something in category B or C.

D&D gives players a chance to create the kind of game they want to play, using as many or as few of the rules as those gathered at the table wish. At the core, it is a group-centered game and your characters come to life as individuals working with others to achieve their goals, so what works in one group might not be optimal in another, and that’s something number crunchers might overlook.

rogue

For the rogue class, high Dexterity and Intelligence and sneak attacking from the shadow is a perfectly excellent way to play a rogue. But don’t rule out the countless other ways to bring your rogue to life. A thief might rely more on Strength and athleticism to traverse crumbling ruins or scale a tower to reach the treasure inside. An assassin might use Charisma and disguises to infiltrate and gather intel. An arcane trickster can be the party’s scout and battlefield controller, relying on their Intelligence and magic to charm opponents and create distractions. A goliath can be a brutal striker, and a dwarf might be a crossbow-wielding master of locks, traps and gadgetry.

The next time you’re creating a character, whether as a DM or player, give the rogue a try. At their core, rogues are nimble and mobile, utilizing a smattering of skills with expertise in a few to overcome all sorts of challenges. No matter what path you choose, a rogue is going to shine when their expertise is needed, be difficult for enemies to pin down and offer a wide variety of options for players to explore as they progress in level.

Consider the role your rogue will play, how their background and skills combine to make them a unique individual in the game world. Will they become a hero of the people? A criminal with a heart of gold? An elite operative? An expert in their field?  Like any character, your rogue comes to the table with a story to tell, as well as one that has yet to be written.

Playing D&D with class: Barbarians

Coming up with a great backstory, personality, motivations and goals goes a long way toward making memorable D&D characters. But when it comes down to the nuts and bolts of what you can do, it’s all about class. Consider it your character’s vocation, calling, profession or craft, a character’s class picks up where their backstory leaves off, giving them the skills and abilities they’ll use on their life of adventure.

Rather than analyze the mechanics of each class, extolling the benefits of one option and admonishing the suboptimal drawbacks of another, what you’ll find in this “Playing D&D with class” is the usual musings that accompany any topic and hopefully some insight into different ways to approach the various classes in D&D 5E.

As a longtime player and DM, i’ve never put much emphasis on mathematical optimization, and when it comes to making characters i’m a purist – multi-class characters have never appealed to me. Instead, it’s always been about the concept, the who of a character more than the what.

The big, bad barbarian

With an origin dating back to 1982’s Dragon Magazine #63, the barbarian was introduced by Gary Gygax as a subclass of fighter. Presented as a tough survivalist with many skills suited to living a life in difficult terrain, the barbarian had the largest hit die of any class – d12 – that persists to this day. Coupled with their mobility and canny senses, they were adept at staying alive. Barbarians also had a large number of skills that were unlike other classes at the time, focused on wilderness survival. In that way, they were kind of like the thief, who had all the dungeon-delving skills one could want, making that class very popular when it was new. i imagine as D&D evolved and adventurers explored what lay above ground – away from subterranean labyrinths – the barbarian offered the kind of skillset that offered players a mechanical way to interact with the game.

Barbarians also hated magic.

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AD&D second edition relegated barbarians to a fighter kit, later getting their own Complete Handbook.

In 3rd edition, barbarians gained their most distinctive feature – their rage. Unlike fighters, who gained their martial ability through training and discipline, the barbarian relied on primal fury in combat. Barbarians also decided that magic wasn’t so bad.

D&D 4E stuck with the rage and added a leader archetype to the mix with the thaneborn barbarian.

The iconic barbarian rage, although not what brought the class to the dance, continues to fuel the barbarian’s place in D&D 5E.

A tough nut to crack

Despite their immense popularity in D&D, i don’t have much experience with barbarians. i played one briefly that was inspired by the Marvel Comics character Troll.

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In a campaign for my friend’s kid, where they woke up to find all the adults in the world had vanished, my barbarian was an adolescent female halfling bear totem warrior. She was raised by bears and believed herself to be one of them.

The only other experience i can recall with a barbarian was a player in an Adventurers League group when we played through Princes of the Apocalypse. She was an air genasi eagle totem warrior.

Both of those characters were mechanically suboptimal (bear totem because of the race – halfling – and air genasi because of the eagle totem). However, they both contributed to their respective groups and everyone at the tables had a good time, thus reinforcing my longstanding belief that a character you enjoy playing is far superior to the mathematically optimized options.

Nevertheless, it is challenging to conceptualize outside the box when it comes to barbarians. Their rage feature is so strong and iconic, looking at them in any way other than a battle-thirsty outlander warrior is difficult.

That being said, one of the best things about 5E is the backgrounds feature that adds new dimensions to characters. Optimally, players can choose backgrounds that sync up with their class, such as the outlander or folk hero backgrounds for a barbarian for example. On the other hand, something like the criminal gives barbarians some rogue-like abilities. Or maybe your barbarian was an acolyte of their people’s faith and their rage is a divine fury. Even a noble background can work well; perhaps your barbarian is from a landed family and is prone to frightening anger.

At the very least, all barbarians are tough – that’s their signature ability. Regardless of race, skills, backgrounds or the Primal Path chosen, barbarians can dish out and take incredible amounts of punishment. Beyond that, they have just as much room for customization as any other D&D character.

By steering away from mechanical and mathematical optimization, set your imagination free and instead create characters whose stories you want to discover. While D&D is a numbers game, it’s more importantly a storytelling game that rewards clever play and engagement with fellow players and DMs. You characters are more than the facts and figures on the character sheet!

Looking for inspiration

A few fictional characters come to mind that capture the D&D barbarian spirit. Chief among them is the uber-popular Marvel Comics X-Man, Wolverine. He’s incredibly tough, which syncs with the barbarian’s reliance on Constitution. In fact in 5E, barbarians’ Constitution not only adds to their prodigious hit point totals, it provides additional protection through their Unarmored Defense ability that ups their Armor Class. And, of course, like Wolverine the barbarian can enter a rage state that makes them a beast in combat.

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For a different take on a barbarian character, modeling one on Wolverine you might forgo gravitating towards wielding the biggest weapon possible and instead try two weapon fighting with a pair of daggers refluffed as claw-like weapons. Incidentally, refluffing skills, abilities, weapons, spells and the like is one of the beauties of D&D – you can use the same mechanics along with your imagination to easily flavor characters however you like. A hill dwarf sounds pretty nifty, with their increased Wisdom enhancing your feral senses and their increased toughness.

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For another literary barbarian, consider Fafhrd from Fritz Leiber’s amazing Lankhmar stories. With his companion the Gray Mouser, the pair are a couple of rogues who in some ways flip the script. Fafhrd is typically the more practical or level-headed of the two (although he does let his romantic nature get the better of him on occasion).

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Fafhrd and the Gray Mouser, from the phenomenal series of comics by Howard Chaykin and Mike Mignola. Highly recommended!

Oddly enough, Conan the Barbarian has very little in common with stereotypical D&D barbarians, despite his immense strength and shirtlessness. Conan is also highly intelligent and disciplined, and many before me have likened him more to a multiclass fighter/thief in D&D terms. On the other hand, there’s nothing keeping a player from assigning higher Intelligence to their barbarian and scaling the Tower of the Elephant to steal the treasure inside.

Unearthed Arcana

Wizards of the Coast has been posting weekly content under the Unearthed Arcana brand, offering playtest material for the different classes. These new class options continue the tradition that 5E has established by offering new directions to take your base class without having to multiclass – a huge win in my book!

The entry for barbarians is one of the most interesting of these, presenting several new options for the primal path players get to choose at 3rd level. They’ve done an excellent job here, coming up with some new takes that keep the spirit of the barbarian but imagining their rage and connection to the natural world in interesting ways.

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The Path of the Ancestral Guardian translates that connection into a bond with the character’s past, calling on spirits of their forefathers and great historical warriors to aid them. In particular, the Consult the Spirits ability adds a new layer to the barbarian that allows them a bonus to Intelligence and Wisdom checks. This primal path reminds me a bit of the warlock class, not only mechanically but for roleplaying options, giving both the player and DM opportunities to incorporate the barbarian’s ancestral spirits into their interactions with the world. In this way, it is reminiscent of the Totem Warrior path.

storm-herald

The Path of the Storm Herald adds a bit of magic into the barbarian mix. Based on various environments – deserts, seas or tundras – these barbarians manifest their primal fury with elemental effects like a damaging aura and resistances. Later effects control the environment to make movement difficult, knock foes prone or keep them in place. The idea of your barbarian’s deep connection to their homeland environment manifesting as magical abilities lends a mystical quality to their toughness. Picking up the Magic Initiate feat would mesh well with this path.

undying

Finally, there’s the Path of the Zealot. This one adds a heavily divine aspect to the barbarian, imagining them as holy warriors called by the gods to fight the neverending fight. The guys at Web DM discussed this in their video on barbarians and came up with several really neat ideas for this path. Zealot barbarians have a strong link between life and death. Among other things, they can be brought back to life very easily via magic. In this scenario, an entire culture could be built around the warriors of their past, holding them in reverence and keeping their bodies enshrined so that, when needed, they can be called back to life to fight the good fight. The Undying Court in the Eberron setting could inspire this sort of culture, elves whose revered dead are kept enshrined in a necropolis.

Roles not rolls

As with any class in D&D, the best advice i can offer is to set mechanical concerns aside and instead focus on creating memorable characters. Unusual race, class and background combinations are just as viable as character built to take advantage of every stat and ability. What you’re giving up from category A only means you’ll be stronger at something in category B or C.

D&D gives players a chance to create the kind of game they want to play, using as many or as few of the rules as those gathered at the table wish. At the core, it is a group-centered game and your characters come to life as individuals working with others to achieve their goals, so what works in one group might not be optimal in another, and that’s something number crunchers might overlook.

For the barbarian class, jacked-up Strength and Constitution and swinging a big axe as the party damage dealer is a perfectly excellent way to play a barbarian. But don’t rule out the countless other ways to bring your barbarian to life. A wolf Totem Warrior can focus more on tactics and surgical strikes with the rest of the party. An eagle Totem Warrior makes a terrific ranged scout. A Storm Herald might be the party’s battlefield controller. Even something like an elven berserker can work well – they might not depend on their Strength for everything and instead take advantage of a barbarian’s mobility and keen senses to make sure they’re wherever they’re needed most on the battlefield.

Outside of combat, barbarians can make excellent leaders, too. Consider something like a tiefling Ancestral Guardian, using guile, cunning and force of personality along with a few mystical tricks to inspire allies and even act as the party’s face.

The next time you’re creating a character, whether as a DM or player, give the barbarian a spin. At their core, barbarians are incredibly tough and mobile, tapping into primal forces that fuel their passion and manifest in all sorts of ways. No matter what path you choose, a barbarian is going to hit hard and be difficult to take down.

Beyond that, think about what role your barbarian will play, not just in combat or in the party dynamic, but in the world and story you’re creating with your fellow players. Like any character, your barbarian is a unique individual with their own story to tell, as well as one that has yet to be written.